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Top 10 Albums of 2008 March 5, 2009

Posted by reidmix in 4AD, Album Reviews, Best of 2008, Free MP3, Indie, Labels, Lists, Music, Reviews, Slender Means, SubPop, Tomlab.
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Forgive me for I am late — so so late — but here is my top 10 albums of 2008!  I really struggled with this list because I felt very confident with my top 10, but the order I rearranged over and over, struggling with what I loved in CD-R form, what I loved earlier in the year, and what I love now.

Some choices were released in 2007, which surprised me and I will start a new series: Hey You! Last Year.  Even though I keep this list within 2008, one selection (Bon Iver) was “technically” released in vinyl form in 2007.

Last year I looked forward to good things to come based on singles, EPs, and CD-Rs but I’ve never put those in my top 10.  This year I have two EPs in my top 10 and I really do believe this was the year of the EP.  In once case (High Places), I have a compilation of singles and rarities.

There are no rules to albums you really love.

Entanglements

10. Entanglements by Parenthetical Girls
I really looked forward to this album and anxiously trolled Zac’s site for updates.  News of a Tomlab release made me happy — one of my favorite labels as of late — and then a peek at an OMD cover had me swooning.
Entanglements is a vast, orchestral siege.  It is not the twee little confections that were the panic pop of albums past.  The glockenspiel is still there but it’s now only a single voice amongst the movements of full symphony in each song.
What make most of the songs impenetrable are the lyrics.  Gone are the dirty little vignettes that made the cast of “Love Connection” or “I Was the Dancer.”   Those lyrics took a little tinkering to get the essence and (with great glee) the perverse irony out of them.  Conversely, the words that make up the songs of Entanglements are subconscious, delivered in secret language or with dream-time meaning that are tongue in cheek and full of innuendo and rhyme: “his legs gave way like pages / from a pop-up book / and i had to look.”  In the end, you derive your own message from each song, and with each song a mood that is meticulously crafted by Pennington & Co.  On the whole, the album cannot be easily cast aside.  Much care was put into the production and its soul is too sincere.  You are left wanting more, to know more, to be entrenched more, and with any album what more can you ask?
Buy Entaglements
: Slender Means, Tomlab, Insound, Amazon, eMusic, iTunes

Chunk of Change

09. Chunk of Change by Passion Pit
The first EP of the list, Passion Pit is Bee Gees for the Indie world.  I say this with the highest regard to Michael Angelakos and his Gibb-like falsetto that graces each song on Chunk of Change.  Sure there may be room for improvement, but here is a set that is more interesting than most full length LPs I listened to in 2008.
The songs are sticky sweet, multilayered candy.  The recipe may be full of synthpop, but there is enough playfulness and exploration of melody and percussion to keep things fun and surprising. Each song is dancible with the gold lamé of disco and the pathos of every great 70s love song.  In the title track, “Live to Tell the Tale,” the poetry goes: “Whatever happens to me / I hope that I’ll fall asleep / Knowing that you’ll always be / The story with no ending”
I must talk about “Sleepyhead” which was most of our introduction to Passion Pit and recorded later than the rest of the songs on the EP.  Here’s our departure from the love note of an album and for me, shows what we can expect.  Big beats that shake through the song while holding onto its playfulness, M.I.A.-like in its worldliness, more confident in its falsetto-ness. The melody is adept and smooth and the song is just too short.  This EP has enough going for it to last until the full-length release in early 2009.
Buy Chunk of Change: Frenchkiss, Insound, Amazon, eMusic, iTunes

In Ear Park

08. In Ear Park by Department of Eagles
I have mixed feelings about In Ear Park.  It is certainly good enough to be in my Top 10.  The songs are strong, especially in the first half of the album, and are worthy of all the praise the album has garnered.  I love the lyrics as epistles to Rossen’s recently passed father, they often hold a perspicacious view on life and how we live it.  The delivery approaches what McCartney and Lennon gave us in the late 60s, and what makes them pop gems are the repetition and variations on questions and phrases.  In “Phantom Other” the lyrics ask “What would it take? / What would it take to make you leave? / What would it take? / What would it take to make you listen? / My God, in heaven / What were we thinking?”
There are other musical nods — like on “Teenagers,” I imagine to the Dion and The Belmonts — hints of 50s AM radio doo-wop over jingly guitars.  But the Achilles heal of the album for me is how close to Grizzly Bear it sounds, and my first reaction was that it sounded half-of-that-band.  And certainly, if In Ear Park is Rossen’s farewell letter, I have rationalized that may be why what Fred Nicolaus brings to the table has taken a lesser role.  The exceptions is “Around the Bay” (my favorite song) and “Classical Records” which are full on Mothersbaugh percussive elements, bangs, clunks, doorslams, noisemakers, cello strings and blips to create a microhouse symphony standing mere inches behind Rossen’s vocal harmonies. The album is a thing of stark beauty and gothic-folk, but I still want all the cylinders roaring on that Beta Band trip-hop that fueled the first album.
Buy In Ear Park: 4AD, Insound, Amazon, eMusic, iTunes

Nouns

07. Nouns by No Age
I’m a big fan of No Age and their tongue-in-cheek noise-pop sensibilities.  Last year their compilation of singles ranked #4 on my Top 10.  Their full-length debut was another album I looked forward to in the spring and was stuck on repeat in my car in the summer.   The funny thing is that Nouns didn’t stick like Weirdo Rippers did.  Perhaps the sound was too polished, the edges a little too smoothed out.  Well I don’t care, every album has a halflife, I just may have burned through Nouns a little too quickly, not the fault of No Age!
The album first catches hold on “Teen Creeps” in a guitar and fuzz-off and has lyrics that read like adolescent anthems: “I hate you more I hate this place / I know why I feel this way / Teen creeps please don’t leave me dead, dead this way.”  The elastic sounds of “Things I Did When I Was Dead” has both a intimacy and a rawness that makes me wonder if Steve Albini recorded the track in the same vein as my early 90s faves like PJ Harvey or Pixies / The Breeders.  Other times, I feel like the songs like “Cappo” and “Keechie” are a nod to their experimental progenitor, Sonic Youth, with wide open spaces full of chutzpah and guitar.  Nouns gives us something a little more laid back, having less to prove, nonetheless with a lot of care. In the instrumental “Impossible Bouquet,” you feel their sense of joy in the making of their brand of rock that is quite beautiful.
Buy Nouns: SubPop, Insound, Amazon, iTunes

In Ghost Colours

06. In Ghost Colours by Cut Copy
In Ghost Colours, I feel like I’m cheating you at #6, please forgive me! You are one of the ones who’ve snuck up the charts in the writing of this list (you may glare at #1, if you dare).  I’ve asked before, how can a band so young throw-back to the best of the 80s synthpop and yet sound so new?  In Ghost Colours is not a hodgepodge of the great underground dance tracks, New Order, or nods to Top 40 connundrums like Fleetwood Mac, but a neat a holistic album where each song flows naturally from one song to the next.  The movement to each song is surprising and not forced, like the intro into “Lights & Magic” where you don’t realize the switch between songs is a fade but register it as a progression, and the full movement of the song doesn’t occur until you hit the chorus.
Unlike much electronic based music, In Ghost Colours remains organic through role of fine vocals and libral use of guitars. Even in the most Big Beat moments, they are connected with a sincerety in lyrics and composition between the spaces which keeps the album real and accessible. Cut Copy is not a one-note wonder, tripping genres and ripping rifts right off bands like the Pixies’ “Break My Body” like they do in “So Haunted” all the while danceable, moshable, thrashable, whatever works to keep your body moving with each song.  To fill out their sound, plenty of sound samples, tape loops, blips and the best of glitch to keep your ears entertained.   There is so much good on this album, it’s hard to believe we’re halfway through this list!

Buy In Ghost Colours: Modular Interscope, Insound, Amazon, eMusic, iTunes

Spectrum, 14th Century05. Spectrum, 14th Century by Final Fantasy
I adore Spectrum and Final Fantasy’s EP almost took top honors for me this year.  The 5 songs about this imaginary land that lives somewhere betweeen the mind of Owen Palette and the production of Beirut’s Zach Condon make up one of the most perfect EPs.  Begin with “Oh Spectrum,” where we entranced by the chirps of outdoor creatures to a build that reminds me of the bright horns in a West Side Story showdown (Hello, I’m talking Bernstein and Sondheim here!)  Somehow this song flows into a steeldrum masterpiece “Blue Imelda” with horns and heavenly chorus betray the words of a farmer, who works both the soil and his plow.
The lyrics are priceless and crafted with anachronism that make up songs like “The Butcher”  to tell the tale of a preacher at the end of days: “Every morning I listen to confessional / Couldn’t give a shit ’bout the bulk of it / Still I keep it professional” all the while in the same song to quote the great internet meme: “All your bases belong to us!”  The music is gorgeous, full of strings, and piano, against the backdrop of the outdoor bugs and birds forever present.  The wordplay is key against the castanets we learn of the “Cocktrice” in a self-referential song about self-existentialism before entering, I believe, the finest medieval lyrics about a gay bar “But I’ve seen them in the commons with their kerchiefs and tattoos” and “They are fathers without sons or daughters” and homophobia: “And a bunch of those together / Can only do the Devil’s work, and it’s the Devil’s work they do.”  A thing of genius!
Buy Spectrum, 14th Century: Books Recording Club, Amazon, iTunes

Vampire Weekend04. Vampire Weekend by Vampire Weekend
I love me some Vampire Weekend and read on eMusic a quote that put them into context: “Third-wave ska goes prep, with enormous results.” (Would this be another wave? Who’s counting?) I’ve had love affairs with The English Beat, Madness, and saw Mighty Mighty Bosstones play the same set twice because they had so few songs.  I can say that 90s mainstream didn’t do ska much good for me.
Ok, to go “prep” means for me, those cardigans of the 80s, those thin ties, raybans and the sweet music of Ezra Koenig’s “Upper West Side Soweto.”  There isn’t much new to say about Vampire Weekend other than to thank Stereogum/KEXP for getting me in at the ground floor and scoffing up those early 45s and finding the CD-R.  The XL release is remastered, fuller in sound and quality, some of the songs got renamed, but the sequence is the same.  The lyrics are fresh and full of fun cultural references, “Cape Code Kwassa Kwassa” still being my favorite: “As a young girl, Louis Vuitton / With your mother, on the sandy lawn / As a sophomore, with reggaeton / And the linens you’re sittin’ on.” I feel fortunate I got to see the band twice, once at the Echo upstairs, certainly one of the busiest nights I’ve seen for a Monday, and full of a much more varied agéd crowd that made me conclude that I was amongst the true earlier adopters of music greats that are my peers.  Even though I may have listened to the songs off this album ad nauseum even before it debuted, I look forward to what comes next.
Buy Vampire Weekend
: Direct, XL Recordings, Insound, Amazon, eMusic, iTunes

For Emma, Forever Ago

03. For Emma, Forever Ago by Bon Iver
This unsuspecting, spare album will arrest your velocity and place you firmly in it’s orbit.  Justin Vernon’s falsetto harmonies are startling, full of so much emotive quality, he puts most singer / songwriters in a lower class.  The creation of For Emma is equally entrancing, recorded over several winter months in Wisconsin alone in a cabin after a breakup.  And you can almost infer those origins simply by listening to it.
Even with that said, you might feel the album is cold, self-indulgent but Bon Iver provides the warmth in each song, wailing on a song like on “Skinny Love” with enough ire to not take himself too seriously: “I told you to be patient / I told you to be fine / I told you to be balanced / I told you to be kind.”  These are glorious creatures that reach upward to the sky and the sun, despite their current predicament or where the may have come from.
You can get lost in the melodies and rhythms and a subtle crescendo in several songs that sneaks up on you.  I personally love “Re: Stacks,” a sort of final resolution of the album after the title song, a way out of it’s inner depths, “It’s hard to find it when you knew it / When your money’s gone / And you’re drunk as hell” but you find that “It’s the sound of the unlocking and the lift away / Your love will be safe with me.”  And with For Emma, Forever Ago you believe it’s true with a self-realization you did not possess before.
Buy For Emma, Forever Ago: 4AD, Jagjaguwar, Insound, Amazon, eMusic, iTunes

03/07 - 09/07

02. 03/07 – 09/07 by High Places
High Places makes music with so many of the elements that I love in music and have loved for many many years now.   Boy-girl vocals, music-box melodies, odd sound creations and sampling, electronic in its creation but organic in sound, sweet (twee) lyrics that are so precious you want to squish their little eyes out.  They compose songs in a way I loved most about HNIA and has so much character and psyche rock to keep it interesting over months and months of listening.
Here is an eMusic collection of rarities that some how come-off as more coherent than their full length that was released later in the year.  What binds them together is an exestentialism like in “Cosmonaut” that wonders: “And we’re all full of questions / And we would like to know just exactly where we came from /And exactly where we’ll go” and considers that “I’ve read a lot of books about the future of the sun / And how my great-great-great-great-grandfather might have been a monkey’s son.”
These songs have a joy of life, humor, and innocence about them and are the epitome of what keep me so interested in new, independent music and remind me where I’ve come from and why I spend so much time online keeping my ears wide open.
Buy 03/07 – 09/07: Thrill Jockey, Insound, Amazon, eMusic, iTunes

Skeletal Lamping01. Skeletal Lamping by of Montreal
Of Montreal has been on my music periphery for the past several years, but never landed square in the middle of it nevermind the top of it. Each release capturing my attention more and more, I believed that Hissing Fauna would come the closest. When Skeletal Lamping arrived, I read many posts about its schizophrenia, it’s lack of focus and direction, it’s cringe-worthy lyrics.  Wrong.  It’s simple, they didn’t stick around to get to the meat of this amazing album. Fuck’em if they cannot handle the ride.
I had a friend who’s defense mechanism when first meeting him was to repeat in oh-so-many ways, “I’m gay! Gay! Gay gay gay, I’m gay!” And boy was he!  But after you got used to his fey qualities and need to prove his queeritude, there was a real person kicking around in there, complex and deeply sensitive.  Skeletal Lamping is this friend and the more you listen, the more you want to hear his story.
Sure, it’s about Kevin Barnes’ Ziggy-esque alter ego. “I’m just a black she-male / And I don’t know what you people are all about” but what’s more interesting is that “I’m a motherfucking headliner, bitch you don’t even know it!” exclaims Georgie Fruit with an attitude that’s all Hedwig.  For every song that may have put off cautionary reviewers, there’s something going on under the surface.  Sure, “We can do it softcore if you want, but I take it both ways,” but later Georgie confesses, “The mutual conclusion was I’m not worth knowing because I’m probably dead.”  It’s both sad and wonderful, an album of cinematic quality, full of vignettes and unexpected turns down dirty alleyways and into backdoors of Studio 54s.
The music is exquisite, perfectly crafted, unique and with a purpose.  Because each song shifts and turns doesn’t make it erratic, it’s theatrics and the headliner may be fucking with you (“Don’t be afraid Lille Venn of violence / I’m only poisoning you, not going to stab you”), may be fucking you (“I want you to be my pleasure puss / I want to know what it’s like to be inside you”), may be getting real with you (“He’s the kind of guy who would leave you in a k-hole / To go play Halo in the other room, remember?”), may be regarding a mood (“Plotting midnight raids on the Swedish plum trees”), or may be questioning his existence (“Why am I so damaged, girl?”)
You’ve got to listen carefully because I know Skeletal Lamping will be remembered when Of Montreal raised the stakes.
Buy Skeletal Lamping: Polyvinyl, Insound, Amazon, eMusic, iTunes

Thanks for hanging in to the end, please let me know what you think.

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I Coulda Been a Contender 2007 June 11, 2008

Posted by reidmix in Album Reviews, Arts & Crafts, Best of 2007, Carpark, Domino, Free MP3, I Coulda Been a Contender, Indie, Labels, Lists, Merge Records, Music, PawTracks, Reviews, Series, SubPop, Tomlab.
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My final 2007 wrap-up in June, oh my! One of my most visited blog entries was my prior I Coulda Been a Contender 2006 which listed great, wonderful albums that for one reason or another did not make my Top 10. Alas, why should these albums be put out to pasture just because there were 10 other albums ahead in line?

I think another thing that makes this post so joyful is its sheer eclecticism — the strange sitting alongside with the obvious, the rare with the (indie) popular. The major condition to be on this list is that I listened to these albums. Alot. Or, I enjoyed them. Alot. These are ordered (sorta) alphabetically and that’s it! I hope that you find something new, too.

QTomlab Alphabet Series: Q by Alig Fodder
Tomlab has this wonderful series of 7″ records that has been coming out over the past several years, each one for each letter. Alig Fodder from Family Fodder fame shows up on letter ‘Q’ and later as an Idol Fodder EP. Addictive elements both aboriginal and electronic, and looping laughs.

Strawberry JamStrawberry Jam by Animal Collective
First album released on Domino, hailed as their most pop-oriented yet. For me, this album was eclipsed by drummer, Panda Bear’s, solo album, and Sung Tongs and Feels are still landmark albums in my mind. Nonetheless, Fireworks (and the live blending with Essplode) and For Reverend Green do stand out as the best Animal Collective songs ever made.

Neon Bible by Arcade Fire
The slow leak that was their sophomoric album on Merge could not contain the raw excitement over their debut, Funeral. Any band that starts with a landmark album automatically sets themselves up for failure, no matter how good the follow-up. I’m happy that they received KROQ love, but their listeners only knew Intervention at the amazing Greek performance. Take another listen to the following layered, dark gems and lookup my favorite, (Antichrist Television Blues).

In Camera by Arthur & Yu
I became so captivated by the first Hardly Art (a SubPop sublabel) release that I have the promo disc as well! The finest folk this side of the Mississippi, as many readers know I discovered them on the 5th track of Dntel’s Dumb Luck. They remind me of Nancy Sinatra and Lee Hazelwood, like OP8 featuring Lisa Germano, and everything good about Peter, Paul and Mary.

Load Blown by Black Dice
I’ve known about Eric Copeland by proxy on other Paw Tracks releases, most notably from The Sailor by Terrestrial Tones, although I didn’t start listening to Black Dice until Mr. Copeland opened for the Animal Collective show at the Henry Fonda. It was very LOUD but it perked my interest enough to buy their latest album, full of quirks, beats, and other transporting soundscapes.

Spiderman of the Rings by Dan Deacon
Another great artist on Carpark, and his video is the cheesiest. I saw Dan Deacon at Coachella this year and I have to say it was the best show at the festival, the best show I’ve ever gone to and I need to posted pics and movies later. Dan Deacon is interactive, he’s a fun sing-along, with electronic cannons made with casiotone sugar. Also get all of Dan Deacon’s old MP3s

The Enemy Chorus by The Earlies
I think I love this Secretly Canadian release if only for the song When the Wind Blows. This Austin based band plays it with syncopated electronic beats, power chords on what sounds like a baby grand, and softened with melodic strings. Yet when I hear this bluesy proggy, and ambitious album, there is so much that is good with it, it simply takes its time to sneak-up and arrest you.

We Don’t Just Disappear by Future Conditional
I read a pan of this album somewhere and I conject you are not ready for Piano Magic‘s side project or the 80s electropop seems to slippery to grasp. Both of these of which I fell victim. Still, for the sheer hotness of The Switchboard Girl should give you enough pause before moving on. Below the surface of this album are 80s drum machine references to New Order (Substance Fear) and other musical nods I’ve yet to place (Typos).

Panic Prevention by Jamie T
My only major label (Virgin), I love these hyper-masculine, boyish rhymes, (rap, um, not so much) from Jamie Treays debut. I listened to these tracks intensely for about a month and even won a Flavorpill trivia contest to see him at the Troubadour but alas I had (writing) class. Still, almost a year later songs like Calm Down Dearest and So Lonely Was the Ballad are emotional charged and poignant. I hope for good things to come.

Broken Social Scene Presents: Spirit If… by Kevin Drew
Arts & Crafts is certainly becoming one of my favorite labels, steered in part by Broken Social Scene founder, Kevin Drew. His first solo album in what will be a Broken Social Scene Presents series featuring each member, it is both a departure from the mega-group’s broad arrangements, and also an amplification of the intimate chamber pop that makes it so good. My only regret is how little I’ve listened to this album.

Loney, Noir by Loney, Dear
SubPop has been pushing all their releases into my life this past year, and this swede is no exception. With almost english titles, I previously proclaimed that I bought the title track, I Am John, within 30 seconds of hearing it. Along with the cutest video, and a 7″, his prior releases (anything before Sologne) are difficult to find. Have a listen to this multilayered, pop-stylist. It’s addictive and sweet as Swedish Fish:

Sticking Fingers into Sockets by Los Campesinos!
I had the pleasure of seeing this this Wales band from Arts & Crafts at the Troubadour last Saturday with the Parenthetical Girls and they are Twee as Fuck. They have a firm understanding of the C-86 bands: not to say they’re only as sweet as Sarah Records, they firmly put their own little punk spin on their collection of songs. Plus, I think they’re a little fey — makes me go all smiley inside.

Hissing Fauna, Are You the Destroyer? by Of Montreal
Their latest release on Polyvinyl is both the band’s darkest and best release to date. I find it rare that a band gets better with each release, but when that happens, it’s a joy to hear how the album becomes more refined while pushing its own limits. Hateful dance hippy intellectual glamrock. It’s ABBA’s evil twin, but better. How can you go wrong?

Book of Bad Breaks by Thee More Shallows
Here is a case where anticipating a bands latest release, their first on Anticon, I fall in love with their prior albums. And that’s what happened, I listened to More Deep Cuts to a dirty grave (ironically, Ave Grave being my favorite song on the album) and then Monkey vs. Shark. I still intend to wrap my head around the Book of Bad Breaks, but I still am charmed by earlier moody releases. Alas!

Our Ill Wills by Shout Out Louds
I’m not sure I did the right thing by not having their first Merge album in my top 10. Another case where I happened upon their first album Howl Howl Gaff Gaff first which stuck to me like Swedish Superglue (Re: Loney, Dear). It took a little while to warm up to Our Ill Wills, the maritime flagship of a follow-up album. “Yeah, but they sound like The Cure!” Um, hush now and and have a good listen.

Tromatic Reflexxions by Von Südenfed
Two parts Krautrock inspired Mouse on Mars and one part Mark E. Smith, the punk pioneer and The Fall‘s repetitious frontman, their Domino debut proves (against all odds) to be amazingly harmonious, integrated, and awesome. The deep beats of the DJs fully support the rhyming rhythms that play within that structure to make for some unique and playful songs that together raises the stakes on the sum of its parts.

Dan Deacon’s Crystal Cat is Wack (Video) January 7, 2008

Posted by reidmix in Carpark, Indie, Labels, Music, Videos.
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I wanted to share this Dan Deacon video, which I somehow stated was both wack and precious. It’s twee, it’s psychedelic, it’s electronic, it’s genius, it’s Dan Deacon. Thanks Carpark for supplying the video. Have fun!

Top 10 Albums of 2006 January 22, 2007

Posted by reidmix in Album Reviews, Asthmatic Kitty, Best of 2006, Free MP3, Labels, Lists, Marriage Records, Matador Records, Music, Reviews, Silver Mountain, States Rights, Tomlab, Warp.
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Enough with the lead in posts, January is coming to a close and I need to commit to my top 10, already! 🙂

This task is always difficult, to quantitize and qualify all those albums that were released over the prior year. And you know you missed some good ones (Annuals!), cuz no matter how much you listen to new releases, you can’t listen to ’em all and you’re always playing catch up.

The great thing about personalized lists is that they suit the individual — they aren’t based on statistics (Amazon we love you) or music snobs (Pitchfork we love you too!) — but are as acute and offbeat as the listener is adventurous to try new sounds and play them over and over and over.

These 10 albums gave me great joy throughout the year, and anytime during they year they could have been rearranged in any order. But alas, I’ve decided on a final order, and here they are:

Parenthetical Girls - Safe As Houses10. Safe As Houses by Parenthetical Girls

I had trouble placing this 10th place position and even though I discovered Parenthetical Girl’s panic-pop in the last week of the year, I love both this album and their first (((GRRRLS))). The standout songs on this album are the angry I Was the Dancer and The Weight She Fell Under. I love Zac Pennington’s (vocal) androgyny, the damaged women who are the subject of the songs, the glockenspiel, and clearly the funniest Pitchfork review I’ve ever read. Pennington’s own label, Slender Means Society, offers us these gems:

Sol Seppy - The Bells of 1 209. The Bells of 1 2 by Sol Seppy

Sparklehorse collaborator Sophie Michalitsianos as Sol Seppy offers us this dark and sincere The Bells of 1 2. The album came to me through eMusic’s Obscure Gems, a list I’m still mining. Human‘s “I am Human and I come from love” lyric has an honesty about it but Move is my favorite with its haunting notes rising from the depths before going into jangly guitar before going back down into the dark again. Every song is a jewel with electric beats, indie guitars, and roots that may have come from Mazzy Star — but don’t be fooled — Sol Seppy has certainly grown into something much more. Grönland doesn’t offer much outside of videos:

His Name Is Alive - Detrola08. Detrola by His Name Is Alive

HNIA holds a special place in my heart and with mastermind, Warren Defever’s, first release on his own label Silver Mountain Media, Detrola finds its way right along other amazing albums like Ft. Lake and Livonia. This album was actually released in several series which included the Raindrops Rainbow and Summer Bird EPs both which we got the first look of my favorite song off the album Here Forever Always. The song revives the amazing electronic manipulation of guitars and voices (both?) to create a remarkable pop song. Among other releases, the UFO Catcher LP offered us a more academic view into the construction of the songs off the album with their jazzy roots and muted beats.

Sufjan Stevens - The Avalanche07. The Avalanche by Sufjan Stevens

I don’t care that these are outtakes and off-casts from its mother album Illinois. The secondary nature of these songs still do not belittle the fact that they are still more consistent and polished than most Top 40 albums. Three versions of Chicago? I like the Multiple Personality Disorder version. I named my Abyssinian kitty after Adlai Stevenson — the song not the person. And you know which song I listened to most. The complexity of this album does not reveal itself until several listens, the instrumentals are essentials and each song a story within a story which only enhance the prior release. Although none of these songs from Sufjan’s own Asthmatic Kitty are on the album they are still such a joy. C’mon, drink the kool-aid:

Belle & Sebastian - The Life Pursuit06. The Life Pursuit by Belle & Sebastian

The best thing to come along since their debut Tigermilk and follow up If You’re Feeling Sinister. Those other albums were just growing pains, really. This album was such a joy to listen to with the pop stylings of We are the Sleepyheads, the sweet synths on and Sukie in the Graveyard, and the happy funk of Song for Sunshine — all the songs are good. Sure, it may not have the pathos found on their first album but it gives enough twee for us fanboys to go on until their next album. Matador doesn’t like the deeplink (clever engineers!), but you can get the first song off the band’s page.


The final 5 bands were all new to me as of 2006, there was so much good music I’m glad I could add new favorites to my old stalwarts!Lucky Dragons - Widows05.Widows by Lucky Dragons

Buy this album! I’m currently obsessed with it. It’s another December discovery and I can’t put it down. Its like heroine to me. Each song have a personality living within them. My favorites include the epic The Sound of Waves and anthemic tones of Snowing Circle (also, a possible joke on the name of his compilation album A Sewing Circle). And it’s just that kind of humor that these beautiful “sound poems” don’t take themselves too seriously. Sheep and Sneezes is just that. V Pattern honks the familiar geese pattern onto your imagination. Parenthetical Girl Zac Pennington said it best on his links page:

Luke [Fischbeck] makes music that sounds like computers have feelings.

They sure do, enjoy these from Luke’s site, Marriage Records, and the very cool States Rights Records:

Grizzly Bear - Yellow House04. Yellow House by Grizzly Bear

I love this album, my introduction to the Grizzly Bear boys. Amazing in concert, the Beach Boys induced Easier still gives me chills. These songs are epic and size and say so much with so few words, such as Colorado, where the title of the song is repeated over the course of the full tune. The album feels both fresh and moody and begs for greater things to come. Okay, my dirty little secret, I adore the remix album of their debut, Horns of Plenty, more than this album. Simon Bookish, Dntel, Phiiliip and Final Fantasy rock my dub-world. Whichever album you buy, you cannot go wrong.

The Flaming Lips - At War with the Mystics 03. At War with The Mystics by The Flaming Lips

I think this album really resonated with me this year. You know the first song, The Yeah Yeah Yeah Song played with every Little Miss Sunshine preview — it’s a tongue in cheek ditty about limits of (political) power and the lack of altruism. Another of my favorites, Vein of Stars, proposes “Maybe there ain’t no heaven / There’s just you and me” and “If there ain’t no heaven / Maybe there ain’t no hell.” And you can really get going with the groove of Haven’t Got a Clue which goes something like: “And every time you state your case / The more I want to punch your face.” Yeah, I voted.

Ms. John Soda - The Notes and the Like02. The Notes and the Like by Ms. John Soda

I la-la-love Ms. John Soda. I love this album (I mean, if you can get past the first song, A Nod on Hold, which I couldn’t for like 3 weeks, it’s that good). I’m sure I was searching for something Lali Puna when somehow, unimaginably I came across this album at Tower Records near the release date.

The next song is great too and the next one, Scan the Ways, is the ultimate in German avant-garde lyrics. And this is before you even get to the indie-rockin’ No. One; knob-twiddler, puh-lease! I played this album the whole summer even when my mom came to visit and when I saw her this Christmas, she specifically asked me if I brought this album. Mother approved! Listen to tunes off their website, Morr is stingy with MP3s.

Casiotone for the Painfully Alone - Etiquette01. Etiquette by Casiotone for the Painfully Alone

This album is one of those perfect, raw albums. I may be alone in this (heh), but each song on this album reflects the 7th track, Scattered Pearls: each song a jewel, lost, rolling about on a dance floor, and sad because of their loss and sentimental value. Every song is a story, every story is a character analysis. Even the album cover is fascinating.

New Years Kiss follows the Jan 1 journey to recover what happened the night before and ends in pancake mix. Young Sheilds reminds us of those penniless and shallow college days. Nashville Parthenon is looking to recapture love that has moved on and out of Tennessee. And Love Connection ends us where we started: with a cover of the Parenthetical Girls and lyrics “find me quoting Pennington.” MP3 reposted, enjoy!

You’re Not Supposed To (Video) August 9, 2006

Posted by reidmix in Labels, Memphis Industries, Music, Videos.
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Adorable Field Music plays “You’re Not Supposed To” in somewhere in The North. Adorable. You can also find the quicktimed-up, all-quality, squeeze-it-on-your-ipod version on the extended version of the self-titled album.

Adorable